I will have a minimum of three pieces. Piece 1 has
been shown in class and is on newsprint. I doubt I will alter this piece
anymore and am considering it complete. Piece 2 is on Reeves BFK and has not
been shown in class. It consists of some drawing in pastel and some form of
printmaking/painting. Piece 3 is a collage of all the prints I showed during
Critique 2 for group 2. I am now making it a point to work with larger plates
in my printmaking practice, reflecting on the three pieces above and the large
size they are. I was talked out of doing the largest plate that I could, but am
still doing a plate that is the largest I’ve done before. This is the next
project. I may make this next piece into a collage to better fit with the
overall quality of my pieces. I think I have exhausted myself on trying to
explore Noah's idea of incorporating painting and printmaking, or make
printmaking more like painting, at least to any complex degree. I am staying
more closely to printmaking now.
Piece 2 was made by taking small rectangular strips
of copper plate and coating them with ink and putting them through the press
many times with multiple copper strips laid down. The surface of the paper was
first painted. The final touches were done with pastel.
I think what I am doing here is essentially trying
to find an alternative form of printmaking, or not settling for the standard
practices I see in the SMU printmaking courses. That is why I am now reluctant
to just have the prints themselves, and instead want to make them into
collages. I also will not be going back to small plates, which was actually the
norm for me before this class.
For the collages, I am using the Reeves BFK paper we
use in printmaking, and simply organizing the pieces however I want. I am
trying to make the pieces rectangular in form, and am trying not to do the
whole collage all at once. One thing I have now added to my art practice is
that I will rotate the piece to different views, and not work on it from one
single axis or view. I do see potential that I could take the idea of the
collage further, but don’t think I will take it further than what it is now.
I estimate I will have one to two more pieces by the
time of the exhibition. So, I will have four to five pieces total. I don't have any titles for the pieces, but think I should probably include them, along with a little card with cataloging information. We discussed alternative ways of arranging the pieces in the show in class, but don't know if I am going to do this.
I am right now looking into more semi-abstract forms. I am influenced by some work I've done in my drawing class, but also by some works by Picasso dealing with form
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